In Bigger Than Life Mary Ann Doane examines how the scalar operations of cinema, especially those of the close-up, disturb and reconfigure the spectator's sense of place, space, and orientation. Doane traces the history of scalar transformations from early cinema to the contemporary use of digital technology. In the early years of cinema, audiences regarded the monumental close...(展开全部)

In Bigger Than Life Mary Ann Doane examines how the scalar operations of cinema, especially those of the close-up, disturb and reconfigure the spectator's sense of place, space, and orientation. Doane traces the history of scalar transformations from early cinema to the contemporary use of digital technology. In the early years of cinema, audiences regarded the monumental close...(展开全部)

Casting aside the traditional conception of film as an outgrowth of photography, theater, and the novel, the essays in this volume reassess the relationship between the emergence of film and the broader culture of modernity. Contributors, leading scholars in film and cultural studies, link the popularity of cinema in the late nineteenth century to emerging cultural phenomena su...(展开全部)

Casting aside the traditional conception of film as an outgrowth of photography, theater, and the novel, the essays in this volume reassess the relationship between the emergence of film and the broader culture of modernity. Contributors, leading scholars in film and cultural studies, link the popularity of cinema in the late nineteenth century to emerging cultural phenomena su...(展开全部)

Close up is right! Klein put a wide-angle lens on his camera, headed for any crowd he could find, and got as close as he could. He decided not to worry about graininess, blurriness, depth of field, and other technical considerations but to go for a spontaneous feel. He got it. These double-page, black-and-white photos are overflowing with people--blurry, grainy, and out of focu...(展开全部)

Close up is right! Klein put a wide-angle lens on his camera, headed for any crowd he could find, and got as close as he could. He decided not to worry about graininess, blurriness, depth of field, and other technical considerations but to go for a spontaneous feel. He got it. These double-page, black-and-white photos are overflowing with people--blurry, grainy, and out of focu...(展开全部)

From John Mack, former CEO of Morgan Stanley, an intimate personal memoir and riveting business story, recounting how he helped grow the company from 300 to 50,000 employees over four decades, transformed a notoriously competitive culture into a successful and collaborative one, and lead the company through the 2008 financial crisis. During his thirty-four-year tenure at Morgan...(展开全部)

From John Mack, former CEO of Morgan Stanley, an intimate personal memoir and riveting business story, recounting how he helped grow the company from 300 to 50,000 employees over four decades, transformed a notoriously competitive culture into a successful and collaborative one, and lead the company through the 2008 financial crisis. During his thirty-four-year tenure at Morgan...(展开全部)

杰弗里•韦斯特，现年78岁，世界顶级理论物理学家。全球复杂性科学研究中心、“没有围墙的”学术圣地——圣塔菲研究所前所长，入选《时代周刊》全球最具影响力100人。数十年致力于“规模”的研究工作，其研究成果被应用在理解生命体、城市可持续发展、企业运营等众多领域，被业内奉为“跨学科诺贝奖”的不二人选。